While martial arts began a new wave in Chinese cinema, Stephen Chow and other directors were responsible for the creation of another subset of martial arts cinema, which included the vampire genre. Stephen Chow combined elements such as undead, Taoism, kung fu, as well as comedy into his movies, which helped create a comedy-horror feel that was distinct to Hong Kong.[7] The beginning of martial arts movies has paved the future for both local and international directors. They started to learn and adopt martial arts to fulfill and satisfy their own demands, later the trend became a transnational market.[7]
Different from traditional Chinese wuxia cinema, Chow's new kung fu movies help with reflecting the extent to force the of globalisation within the entertainment industry, which later influenced the local construction of self-identity.[7]
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Much of the criticism for the film was directed at its lack of character development and a coherent plot. Las Vegas Weekly, for instance, criticised the film for not having enough of a central protagonist and character depth.[74] Criticism was also directed towards the film's cartoonish and childish humour.[75] However, it was considered reasonable, as the Kung Fu Hustle production team chose to make the film's characters largely one-dimensional. In the movie, the directors "attempt(ed) to appeal to a transnational audience, affirms distinctly Western notions of Chinese that many earlier Kung Fu films set out to subvert."[7] The Kung Fu Hustle team attempt to appeal to a more progressive generation throughout the history of Chinese cinema. Earlier in the kung fu film industry, it usually involved complex characters, and also tried to explore and expose constructs ranging from gender to race as well as to nation.[7] One-dimension is the key feature of Kung Fu Hustle, as it is rooted in a filmic genre that connected with Hong Kong identity, but also represented the Western imagination of China's past and Kung Fu heroism.[7]
Shaolin Soccer (Chinese: 少林足球) is a 2001 Hong Kong sports comedy film directed by Stephen Chow, who also stars in the lead role. The film revolves around a former Shaolin monk who reunites his five brothers,[note 1] years after their master's death, to apply their superhuman martial arts skills to play soccer and bring Shaolin kung fu to the masses.
Seto worked to make the novel as faithful to the film as possible but he admits that Stephen Chow's brand of Mo lei tau comedy does not translate well into illustrations.[22] He stated in an interview that "the Shaolin Soccer comic is 80% movie adaptation with 20% new content."[22] This new content includes a backstory about Steel Leg's training in Shaolin before the death of his master, as well as completely rewriting entire sections of the movie. For example, in the film a group of bar thugs beat up Sing and Iron Head after listening to their lounge-style tribute to Shaolin kung fu. The following day, Sing seeks out the group and uses his Shaolin skills to beat the thugs using a soccer ball. Fung sees the brawl and comes up with the idea of fusing kung fu and soccer. However, in the comic book, Sing is meditating in the park when he gets hit in the head with a soccer ball. The cocky players mock him and destroy a stone statue of his deceased master. Sing proceeds to use the soccer ball as a weapon.
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